Author name: Michelle

Michelle

Why “finding your style” is the wrong goal

After 14 years of teaching, the question I get asked most is this: “How do I find my style?” It’s the biggest goal most people have when they start painting. And this post might feel a bit controversial, or leave you thinking “oh, that’s disappointing.” If I created a course called “How To Find Your

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Painting Light in Acrylics & Oils

Like many artists, I’m obsessed with light. I’ve always been drawn to capturing the way it falls across a scene, those gorgeous warm pools of sunshine and the cool shadows that sit alongside them. It’s one of those things that, once you understand it, everything changes. I recently painted three country scenes, two of which

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One Simple Habit That Will Improve Your Painting Fast

One of the questions I get asked a lot from students is I have this photo I want to paint, where do I start? Obviously I help guide them in the process, it’s every artists goal to paint from their own inspirations, you see something and want to capture it. However until you understand all the

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Painting Underwater: A New Series Inspired by Sir David Attenborough

Sir David Attenborough is one of my favourite people on earth. If I ever get asked that dinner party question, you know the one, who would you invite if you could choose anyone, my answer is always David Attenborough. Without hesitation. I grew up watching his programmes and have been inspired by his work ever

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You Don’t Need a Path — How to Lead the Eye Though Your Painting

On a Q&A call with my Vibrant Visions students this week, someone asked a question that I thought was worth sharing more widely — because I suspect a lot of artists have the same assumption sitting quietly in the back of their mind. We were talking about leading lines — how artists guide the viewer’s

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Why Most Artists Start a Painting in the Wrong Place

Painting Tips & Mindset Why Most Artists Start a Painting in the Wrong Place If your paintings ever feel stiff or overwhelming before you’ve even started — I know why. Free Download Get the guide that goes with this video — From Copying to Creating: 5 Steps Towards Art That Feels Genuinely Yours Get the

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Why Your Paintings Don’t Feel Like Yours Yet | Michelle Gibbs Painting Tips & Mindset Why Your Paintings Don’t Feel Like Yours Yet And what to do about it. Free Download Get the guide that goes with this video Get the Free Guide → There’s a feeling most painters know well. You finish a piece,

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Painting Dramatic Skies — and Why I Can’t Get Enough of Them

One of my absolute favourite subjects to paint is the sky. Always has been. When I went travelling when I was younger, I spent most of my time with my camera pointed upwards. I have hundreds and hundreds of photos of skies, taken all over the place, and I still look back through them for

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Three New Portraits and What I Was Really Trying to Say

I’ve been busy painting portraits over the past few weeks and I absolutely love it. There is something about working in a series that gives you a real deep dive into a subject, and portraits are no exception. When it comes to painting portraits, or any subject really, it’s never about copying what you see.

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The Portrait Myth: Why Faces Aren’t as Hard as You Think

There’s a misconception that portraits are the hardest subject, but in all honesty they really aren’t. It’s just about looking at shapes, understanding value and layering like every other subject. The same principles you use to paint a landscape or a flower apply to faces too. When you squint at a portrait reference, what do

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Learn from the Masters: Analysing Anna Ancher’s “Sunlight in the Blue Room”

One of the things I love doing most is analysing master paintings. I believe it’s where we can learn the most about light, colour, and the courage to make bold artistic choices. There’s something magical about studying the artists who came before us. The Impressionists weren’t just painting what they saw – they were interpreting

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Capturing the Magic of Snow: Tips for Painting Winter Landscapes

There’s something absolutely magical about painting snow scenes. The way winter light dances across a snowy landscape, the subtle shifts in colour, the quiet beauty of it all. Over the festive period, I’ve been playing with some snowy scenes, and I wanted to share what I’ve learned with you. The biggest mistake I see painters

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The Biggest Mistake New Painters Make (And How to Fix It)

I see it all the time in my classes. A student sits down, excited and ready to paint. They look at their reference image, pick up a small brush, and start painting… details. The highlights on the water. The individual flowers. The texture on a tree trunk. And I gently have to stop them and

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Bringing Back the Vibrant: Why Glazing Changes Everything

As we step into the festive season, there’s something wonderful about painting something a bit different. This year, I painted Santa’s boots warming by the fire, and honestly, I had such fun with it. My girls have already declared this one needs to come out every Christmas now! But beyond the festive joy, this painting

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Studio Chat: Painting Clouds and Making Time for What Lights You Up

In this ‘Studio Chat’ I’m painting a vibrant sunset sky with expressive clouds. The real subject? Permission. Permission to take time for yourself, to embrace the messy stages, and to let your brush move without overthinking every stroke. The Layering Process I started with a bright yellow ground colour, which is something I do often

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The Power of Mark Making: Why Variety Transforms Your Paintings

Have you ever stepped back from a painting and felt like something was missing, even though you couldn’t quite put your finger on what? Often, the answer lies in something we don’t talk about enough: mark making. The Repetition Trap When we’re focused on capturing a subject, it’s so easy to fall into a pattern.

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Acrylic to Soft Pastel Play: Adding Vibrant Pops of Colour

There’s something incredibly freeing about taking a painting you’ve already created and giving it a whole new life. That’s exactly what I’m doing in today’s video, transforming an acrylic painting on paper with the pure, vibrant pigment of soft pastels. I absolutely love working with mixed media because it opens up so many creative possibilities.

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