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Right, now it’s your turn to get out there and have a go!
Before you dive into painting, spend a bit of time just mixing colours. Hold your viewfinder over different parts of the leaf and really look at what you’re seeing. That brown might actually be quite dark. That yellow might have a touch of red in it.
Mix up a few colours and test them against your leaf. It’s amazing what you discover when you really look closely.
Pick one leaf that speaks to you and just start. Begin with the overall colour – block it in, get rid of that white. Then start adding those subtle shifts – the darker bits, the lighter bits, those lovely warm or cool tones.
Don’t worry about getting every vein perfect. Think about the suggestion of them rather than painting every single detail (unless that’s your thing, then go for it!).
This isn’t about creating a masterpiece. It’s about discovery. Try a few different leaves. See what happens when you layer colours. Notice how those subtle changes make such a difference.
Autumn is absolutely perfect for this exercise. The colours are gorgeous, leaves are everywhere, and there’s something quite magical about bringing a bit of the outdoors onto your canvas.
I can’t wait to see what you create!
I’m looking forward to this. Your explanation of how to use the opacity of white followed by the glazing with the other colours is very clear and reinforces what you have mentioned before. I like thd way you keep using the technical terms with explanations. It is beginning to ‘sink in’ to my head. I am starting to feel that I can use these terms when talking to fellow members of the art group I belong to. We have an open day coming up this weekend. This challenge will be a good activity as it is colour mixing with a purpose. Thank you
Thank you Jane I appreciate that. I’m glad you found this helpful and I hope you enjoy the process of colour mixing when you try it out.